Friday, 24 October 2014

! Free PDF Marsden Hartley: The German Paintings 1913-1915, by Ilene Susan Fort, Thomas Gaehtgens, Kaitlyn Mellini, Alexia Pooth, Bruce Robertson, Th

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Marsden Hartley: The German Paintings 1913-1915, by Ilene Susan Fort, Thomas Gaehtgens, Kaitlyn Mellini, Alexia Pooth, Bruce Robertson, Th

Marsden Hartley: The German Paintings 1913-1915, by Ilene Susan Fort, Thomas Gaehtgens, Kaitlyn Mellini, Alexia Pooth, Bruce Robertson, Th



Marsden Hartley: The German Paintings 1913-1915, by Ilene Susan Fort, Thomas Gaehtgens, Kaitlyn Mellini, Alexia Pooth, Bruce Robertson, Th

Free PDF Marsden Hartley: The German Paintings 1913-1915, by Ilene Susan Fort, Thomas Gaehtgens, Kaitlyn Mellini, Alexia Pooth, Bruce Robertson, Th

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Marsden Hartley: The German Paintings 1913-1915, by Ilene Susan Fort, Thomas Gaehtgens, Kaitlyn Mellini, Alexia Pooth, Bruce Robertson, Th

This volume takes a close look at the most popular and influential period of the great American modernist painter Marsden Hartley―his Berlin years, during which he produced his pioneering "German Officer" portraits and a series of works that occupy a unique zone between abstraction and figuration. During a brief stint in Paris, Hartley met and fell in love with a Prussian officer, and early in 1913 he followed the officer to Berlin. When war broke out the officer was called up, and was killed in action in October 1914. Mourning his loss, Hartley created an astounding series of paintings that abstracted components of the officer's uniform, retaining their military symbolism and patterns. Nearly a half-century later, this combination of bright color and composition with popular signage, informed by the coding of gay culture, was to make a strong impact on Pop artists such as Jasper Johns and Robert Indiana. In this volume, approximately 25 of the artist's works from these years (1913–15) reveal the impact of World War I and elucidate the artist's appropriation of military symbols and Native American motifs. Also included are an illustrated chronology and a wealth of archival material that conveys the historical moment in which these works were made. Their presentation in Los Angeles marks the first focused exhibition of Hartley's Berlin paintings in the US since they were created.
Marsden Hartley was born in Lewiston, Maine, in 1877. After studying at the Cleveland School of Art he won a scholarship to study in New York, where he became one of the first American artists to adopt the discoveries of Picasso, Kandinsky and Klee. His first solo exhibition was held at Alfred Stieglitz's legendary 291 gallery. In 1912 he moved to Paris and was welcomed into the circle of Gertrude Stein. After extensive travels, in the 1930s Hartley returned to Maine, where he died in 1943.

  • Sales Rank: #1322974 in Books
  • Published on: 2014-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .70" w x 7.60" l, 1.84 pounds
  • Binding: Paperback
  • 208 pages

Review
"Marsden Hartley: The German Paintings 1913-1915" brings together around 25 paintings from this single phase of the artist's development and reveals the bold symbolic thinking and techniques of visual deconstruction that were necessary to create them. (John Dorfman Art & Antiques)

About the Author
Ilene Susan Fort is the Gail and John Liebes Curator of American Art at LACMA, and has been with the museum since 1983. A leading scholar in her field, Dr. Fort has organized landmark exhibitions and published numerous articles, catalogues, and books. At LACMA, she curated and wrote the accompanying catalogues for "The Flag Paintings of Childe Hassam" (1986); " American Paintings in Southern California Collections" (1996); "Made in California" (with Stephanie Barron and Sheri Bernstein) (2000-2001); "Manly Pursuit: The Sporting Images of Thomas Eakins" (2010); and most recently "In Wonderland."

Most helpful customer reviews

5 of 5 people found the following review helpful.
This is a beautiful small catalogue to go with the great exhibitions in ...
By John T. Chance
This is a beautiful small catalogue to go with the great exhibitions in Berlin and LA. The reproductions are very vivid and correct and the text is both informative and well written (not always the case with museum catalogues). For anyone interested in the work of one of the greatest Twentieth Century masters, you will surely benefit from adding The German Paintings to your library.

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